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Juan Navarro of Seville, hence the epithet ''Hispalensis'' (Marchena c. 1530 – Palencia 1580) was a Spanish composer.〔Stevenson R. ''Spanish Cathedral Music in the Golden Age'' p242-250〕〔Entry in New Grove 1980, p83〕 He is not related to the Mexican composer Juan Navarro Gaditanus, (i.e. Juan Navarro of Cadiz, c. 1550 – c. 1610).〔This other Juan Navarro in 1604 published the earliest music composed and printed in Mexico; Passion settings and Lamentations〕 Navarro's place of birth, Marchena, is geographically near enough to Seville to justify the epiphet ''Hispalensis''. He sang in the cathedral choirs of Jaén, and then Málaga. In 1553 he competed for the position of ''maestro de capilla'' in Málaga left vacant by the death of Cristóbal de Morales. In 1563 he was appointed ''maestro de capilla'' of the Cathedral of Avila, then in 1566 Salamanca, in 1574 Ciudad Rodrigo and 1578 Palencia. Navarro's compositions include two settings of hymns ("Vexilla regis" and "Pange lingua"), two settings of antiphons ("Regina caeli" and "Ave Regina caelorum") and a "Te Deum" that are based on uniquely Spanish chant melodies rather than the Roman melodies more commonly used by Renaissance composers. 4 == Works == * ''Psalmi, hymni ac Magnificat''. Rome 1590 (posthumous) * 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Juan Navarro Hispalensis」の詳細全文を読む スポンサード リンク
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